AE-10271

Télérama fff 5 Diapason 4 Etoiles du Monde de la Musique

"

Ce disque devrait s'écouter entre des toiles de Fantin-Latour, en lisant un ro­man d'Elémir Bourges, un essai de Judith Gautier ou des poèmes de Robert de Montesquiou...
" (Diapason)

"

Dieser musikalische Aus­flug in die (Opern-)Welt Richard Wagners profitiert von der Kompetenz beider Interpreten, die mit Haut und Haar in Wagners Klangwelt ein­tauchen.
" (Münstersche Zeitung)

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De Wagner à Liszt, grand transcripteur lui aussi, il n’y a qu’un pas, franchi ici de mains (et pieds) de maître par l’organiste allemand Christoph Kuhlmann qui signe un travail exemplaire, surtout dans le maniement même de ces orgues difficiles à jouer [...]
" (www.resmusica.com)

Wagner, Richard (1813-1883)

Richard Wagner - Une Soirée Musicale chez Albert Baron de l'Espée

Christoph Kuhlmann (Organ)
Suzanne Thorp (Soprano)

Usurbil, Parroquia del Salvador

>>Introduction
>>Audio samples
>>Reviews
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Contents:

Parsifal (Prelude)
Parsifal (Karfreitagszauber)
Der Engel (Five songs after poems by Mathilde Wesendonck)
Stehe still (Five songs after poems by Mathilde Wesendonck)
Götterdämmerung (Funeral march)
Schmerzen (Five songs after poems by Mathilde Wesendonck)
Tristan und Isolde (Prelude)
Im Treibhause (Five songs after poems by Mathilde Wesendonck)
Träume (Five songs after poems by Mathilde Wesendonck)
Rienzi (Prelude)

Playing time: 1:12 (h:m)
Booklet: 24p., Français Deutsch English
Order Nr. AE 10271
EAN 4026798102715
Product category: CD
Release date: 28/01/2008

Price:
€ 17,99
Available methods of payment: PayPal ( What is PayPal? )
Customers from Germany: Invoice as well as PayPal
Audio samples:

Audio sample Rienzi

Audio sample Im Treibhause

Audio sample Trauermarsch

Reviews:
Diapason April 2008
Münstersche Zeitung
www.resmusica.com March 20, 2008
Introduction:

From his earliest years onwards, Albert Baron de l’Espée’s thoughts circled round nothing else but the desire to someday be able to call a giant cathedral organ his property - an instrument which would be in no way inferior in scale and grandeur to the largest and most renowned organs of that time.

In 1897 the odd misanthrope, endowed with an unimaginable fortune, ordered an organ from Arisitde Cavaillé-Coll with 72 stops for his castle in Ilbarritz. Inspired by the demigod of Bayreuth, the Baron played Parsifal or Tannhäuser in a manner that Wagner himself would not have disapproved of. In 1907 this organ was replaced by the instrument from Mutin-Cavaillé-Coll recorded on this CD. From 1912 on a series of concerts was organised. One of these went down in history thanks to the participation of the great Wagnerian singer Felia Litvinne...
The idea of this recording is to somehow recreate the atmosphere of an evening concert around this very particular instrument, as it might have taken place at Château d'Ilbarritz.