Our cookies play an important role in providing you with an optimal website experience. Some of these cookies are essential for the operation of this site, while others help us ensure that our site runs reliably and safely, and to show you relevant content and external media. We do not collect personal data for marketing purposes! If this is okay with you, please agree to their use for statistics and external media by clicking on 'Accept'.
Privacy Settings
Here you will find an overview of all the cookies used. You can give your consent to individual categories.
Necessary
Necessary cookies enable basic functions and are required for the smooth operation of the webshop.
Statistics
Statistics cookies collect information anonymously. This information helps us understand how our visitors use our webshop.
External media
Content from the YouTube video platform is blocked by default. If cookies from external media are accepted, access to this content no longer requires manual consent.
Elizondo plays well, and the organ sounds lovely. This will expand your knowledge of regional composers of the late romantic period.
Jesus Guridi Bidaola (1886-1961) was a late romantic Spanish composer born in the Basque region. He studied with Vincent d'Indy and Joseph Jongen, and his music closely resembles Jongen's. He lived and taught in the Basque region until after the Spanish Civil War, when he moved to Madrid and remained there until the end of his life.
Esteban Elizondo plays this program of Guridi's works on the 3-manual, 36-stop organ built in 1889 by Stolz Freres in the Church of St Peter the Apostle in Bergera. Stoltz was a Paris firm in competition with Cavaille-Coll's successor, Charles Mutin. I have seen only one Stolz organ, and it was in an abbey church in Lima, Peru. It had been severely damaged by the frequent earthquakes common in Lima. It was beautifully crafted and probably tonally similar to the one heard in this recording. Being simply a straightforward, mechanical-action instrument, it was more conservative than Mutin's work. Near the Stolz case in the choir gallery were a pair of 17th Century Spanish organ cases, their contents likely also destroyed by earthquakes. Inside both were speakers for a Hammond electrone. From 1948 on Guridi was the sales representative for Hammond in Spain. Could he have had something to do with that installation?
Elizondo plays well, and the organ sounds lovely. This will be expand your knowledge of regional composers of the late romantic period.