Paul de Louit
The inventiveness with which the young Polish artist uses the instrument [...] proves her correct: the Bagatelles for piano Opus 33, at a first glance improbable for the organ, lend themselves favorably to effects close to the sound gadgets offered by the fortepianos from the late 18th century.

[...] With the instrument and its colors, the artist draws a Beethoven still marked by the gallant style and Empfindsamkeit.