Were the Trois Chorals by Franck merely a great artist’s testament or a stage within a thriving artistic posterity?

After organ music by Samuel Rousseau, an early student and then colleague of César Franck, Kurt Lueders explores hidden organistic corners of the years preceding World War I. Conveying six works which in various ways recall Franck, the monumental period instrument in Douai brings to life a pivotal era hovering between triumph and impending tragedy...

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